Really, who needs to read when you can go watch the movie version of these books? Just kidding. I always read the book first, then go see the movie.
Secure within the shell of the high-rise, like passengers on board an automatically-piloted airliner, they were free to behave in any way they wished, explore the darkest corners they could find. In many ways, the high-rise was a model of all that technology had done to make possible the expression of a truly free psychopathology.”
― J.G. Ballard, High Rise
A friend posted a link to this trailer, and I was like “Say what? Is this based on the Ballard novel that has been chilling on my Audible Wishlist forever?” I bought the audiobook and listened to this cult classic of luxury-living turned into tribalistic bloodbath. Now, crisp trailer aside, I have no idea how they will translate this book onto the big screen. Variety has seen it, and they say meh. But will I still go check this one out? You bet I will.
Emily Blunt on the set of The Girl on the Train
Hollowness: that I understand. I’m starting to believe that there isn’t anything you can do to fix it. That’s what I’ve taken from the therapy sessions: the holes in your life are permanent. You have to grow around them, like tree roots around concrete; you mold yourself through the gaps.
― Paula Hawkins, The Girl on the Train
Yes, Paula Hawkins’ ever-twisty The Girl on the Train is coming to the movies! No time was wasted adapting this one. Is Emily Blunt not your perfect Rachel? She has a bit of the crazy eyes going on this picture that the role demands. If you haven’t read this hit thriller from last year yet, you still have time before the movie’s fall release date. Read my review of the novel.
A sneak peek at the set of Me Before You, with Emilia Clarke and Sam Claflin.
The thing about being catapulted into a whole new life–or at least, shoved up so hard against someone else’s life that you might as well have your face pressed against their window–is that it forces you to rethink your idea of who you are. Or how you might seem to other people.
― Jojo Moyes, Me Before You
Thank goodness the movie gods from above have decided to adapt Jojo Moyes’ novel Me Before You. As if we all didn’t cry enough when we read the book, we can go into theatres, gather, and do a group cry together. If you haven’t read the book, pick it up and prepare to have your heart opened up in strange nooks and crannies and then smashed. This romance will give you all the feels, all the sniffles, all the tears. Emilia Clarke will play Lou, and Sam Claflin will play Will. If I read less, or replaced some of the time I spend watching The Bachelor with time watching feature films, I may have an idea of who either of those two people are. Read my review of the novel.
Sennia Nanua, Gemma Arterton, and Glenn Close filming She Who Brings Gifts.
“You can’t save people from the world. There’s nowhere else to take them.”
― M.R. Carey, The Girl with All the Gifts
Uhm, could the little Sennia Nanua be a more amazing Melanie? Talk about perfect casting for the little gal who single-handedly brings humanity to all zombies as she innocently explains how she wants feels hungry for her teacher, but she really doesn’t want to eat her because she loves her. Awww.
Sennia Nanua as sweet little zombie Melanie.
I’m not sure why they changed the title on this one though. To me, The Girl with All the Gifts has an oomph that She Who Brings Gifts lacks… Not to mention it brings a whole who vs. whom issue into the situation! Was it to separate the movie from last year’s The Gift? I’m not sure. Call it whatever you want–I’m excited about this zombie thriller.
Some of the great artwork from Alice + Freda Forever: A Murder in Memphis.
“In the mind of the public, she seemed endowed with an almost supernatural power to commit heinous acts, no matter the time or place.”
― Alexis Coe, Alice + Freda Forever: A Murder in Memphis
I’m cheating a bit with this one, as I don’t know if it’s actually being filmed yet or the project is just in the works. I loved Alice + Freda Forever, Alexis Coe’s true story of a lesbian romance and murder in 1890’s Memphis. A movie adaptation of this true crime/historical nonfiction book has quite a bit of potential. The book takes place at a memorable turning point in history, with haunting drawings and snippets of primary source material. Acclaimed director Jennifer Kent, of The Babadook, is tied to the project. I can only imagine what life she could bring to this already rich and tragic tale. Read my review.
What movie adaptations are you dreaming about for this year? When will we see The Goldfinch? What about A Little Life? How would all those plays from Fates and Furies be acted out? Readers, we can only dream…